How has it formed your style? ... Graphic designer Marian Bantjes has collaborated with numerous design legends, including Debbie Millman from Sterling Brands, Michael Bierut and Paula Scher from Pentagram/NY, Sean … With her love for old-fashioned correspondence, she reclaims letters and postcards and continues the tradition with a project she … I am like, exactly, yes. Saks Fifth Avenue Want It! IMAGE BY MARIAN BANTJES SPAM 1 : A Bantjes pen-and-ink illustration appeared in the centerfold of the Vancouver Review. Marian Bantjes is a designer, typographer, writer, and illustrator. From 1994 to 2003, she worked as a partner and senior designer at Digitopolis in Vancouver, creating designs for corporates as well as educational and artistic organisations. Marian Bantjes’s fabric design (octopus and squid) for Anni Kuan is hung on a wall covered with the bird wallpaper pattern she created for Maharam Digital Projects . In 2003, she went solo in order to pursue her own projects and ot od since then that she has come into her own. Marian Bantjes has been variously described as a typographer, designer, artist and writer. click to enlarge. I'm like, … Mar 6, 2017 - Marion Bantjes' sugar type for Sagmeister's "Things I have learned in my life so far." Also, just knowing quite a bit about letterforms – although this is something I still consider myself weak on – has helped make my work be... well… a lot less sloppy than that of many other people’s. Their work is not only client-based; they have become their own brand by providing products to their followers as well. Whether with ballpoint pen, sugar, or faux fur, Marian Bantjes gets her message across By Ashley Schwellenbach. Graphex is Canada’s biannual awards show. Stefan, as always, is a pleasure to work with. It provides users with tools to create and maintain a digital portfolio of their learning and social networking features to allow users to interact with each other. Mahara is an open source ePortfolio and social networking web application. Cover design for The Guardian’s entertainment insert. But if I was stuck on a desert island, I’d die without a pencil. I’m prejudiced against Canadians and Canadian companies (I very seldom work for people in my own country). ... Ads for Gary Fisher Genesis Geometry and Sugar Geometry (1999) Portfolio piece: For Better or for Worth (2005) This piece, more … How has it formed your style? Marian Bantjes’s fabric design (octopus and squid) for Anni Kuan is hung on a wall covered with the bird wallpaper pattern she created for Maharam Digital Projects 4/7 Bantjes’s intricate text graphic created using sugar. Design Indaba welcomes this sea change – we have been out on a limb about the economic power of design since 1995. As a typesetter, 20 years ago, I worked on books, which is a very structured, rule-bound environment. People who are willing to trust that I can figure it out and make the right decision. Photo courtesy of OCAD University. And that is a tremendously exciting prospect. Her career began as a book typesetter until she co-founded and ran her own graphic design studio, Digitopolis, and then branched off to work on her own as a graphic artist and letterer. At the Chicago Design Museum opening party on June 10, as attendees celebrated and congregated around banks of displays, designer Marian Bantjes stood aside, circling a table and slowly ripping up flowers. But I am aware … I really don’t have a favourite. This vector art poster was created for the paper company Stora Enso, and contains two variable repeating patterns and archival photos from the Library of Congress. Puzzle Special, 2007. A large part of the exhibition is devoted to Valentine’s Day, and her … Well, I think my best work is the Sustainability poster, which was done over a year ago. Bantjes very first sugar piece, ‘Indestructible’, a personal project in 2006, became a significant factor to the evolution of her success. As a visual designer, she has tackled a variety of media and multiple projects. And we are the richer for it. Which are your favourite materials to work in, if you had to choose? Marian Bantjes draws inspiration from art deco, rococo, pop art, romanticism and gothic styles, juxtaposing them in unexpected ways to create a coherent visual universe. Fiona Zerbst chats to Marian Bantjes about typography, image making and creative restlessness. All of my work from 2003–2013 is documented in my monograph, Pretty Pictures. As a typesetter, 20 years ago, I worked on books, which is a very structured, rule-bound environment. How important is surface and the techniques that make it up? Born in 1963, Bantjes began her career in visual communication as a book typesetter for 10 years (from 1984 to 1994). Her beautifully elaborate scripts and ornamented letters remind me, if not in style at least in concept, of graffiti pieces. ... enhance her letters: sugar, flowers, pasta, cake decorations, etc. At the Chicago Design Museum opening party on June 10, as attendees celebrated and congregated around banks of displays, designer Marian Bantjes stood aside, circling a table and slowly ripping up flowers. Marian Bantjes began her career as a book typesetter and then opened her own design firm in 1994 employing up to 12 people. These days, I’m in a difficult space because I outright reject almost anyone who asks for anything pretty or swirly. In 2003 the canadian designer gave up her life as a graphic designer to pursue her own personal approach to designing. Complaining is Silly, Either Act or Forget, 2006. Delicately tearing petals and leaves to make a floral mosaic that spelled out the word “sorrow,” she was the picture of the concentrating artist. Or you could simply save your breath and call … Kudos to Li Edelkoort who predicted all this in 2003 and John Bauer who found happiness. The Design Ignites Change poster was also very satisfying – maybe even more so than Sustainability, as the proceeds went to a good cause. Marian Bantjes is a graphic designer, typographer, illustrator and blogger. Marian Bantjes is a graphic designer and also a hands on inventive and creative soul. It gained recognition, thanks to Rick Valicenti, from being included in a sample-portfolio of Bantjes work using ‘Fox River Paper’, now known as ‘Neenah Paper’. Marian began creating work that she loved instead of working for… It's not all flat-screen paper. By Creative Bloq Staff (Computer Arts) 24 June 2008. Marian Bantjes does these amazing lettering pieces and illustrations. While watching this TED Talk, I realize that I can go just about anywhere with what I do. But we can certainly add to this the sugar pieces I did for Stefan Sagmeister, an adventure in a medium that was just piles of fun to work … 6/7. "Oh beloved dentist: Your rubber fingers in my mouth ... your voice so soft and muffled ... Lower the mask, dear dentist, lower the mask." By continuing on this website, you agree to our use of cookies. … I prefer people who tell me what their budget is up front, and like them even more if it’s a healthy sum – though I will trade a smaller budget for creative freedom provided it’s not advertising or a large client. But I am aware of the influence of structure on my work. Mahara is an open source ePortfolio and social networking web application. Bantjes describes her work as “graphic art” because she incorporates fine art with the fundamentals of graphic design. Sugar typography for Stefan Sagmeister. Visitors are invited to wander through a golden-walled labyrinth and discover her inventive works made of crystallised sugar, pasta, embroidery and metal. Marian is known for her detailed, precise vector art, her obsessive handwork, her patterning, and ornament. I remember a book with little drawings in the margins, one of which was of some beetles (and this is how I imagined The Beatles, as a band of beetles like the drawings in the book). Biography by Marian Bantjes September 13, 2006 . I like to make things that need to be figured out or pondered in some way. ... she has produced a diverse portfolio of work that includes disintegrating fonts made out of … This website requires cookies to provide all of its features. As such, there is some kind of intended “experience” that goes beyond the first impression. That carries through to my work today, though it’s not always evident. Restraint, 2007. Some were more legible than others. Sign up to Design Indaba Weekly for the latest design news and inspiration. With a solid background in typography and illustration, and loads of experience in design, Bantjes has taken her work from an island off the west coast of Canada to the global stage. Bantjes very first sugar piece, ‘Indestructible’, a personal project in 2006, became a significant factor to the evolution of her success. It provides users with tools to create and maintain a digital portfolio of their learning and social networking features to allow users to interact with each other. Marian: My 2009 valentines were a bit of a departure in a number of ways. Currently, … campaign, 2007. This project required making typography look like the thing it described and was executed in close collaboration with Michael Bierut and Terron Schaefer. Marian Bantjes was born in 1963, and grew up in Saskatchewan. "And it occurred to me, I didn't have to make this "with paper." This colourful piece of vector art was created for the British Columbia Chapter of Society of Graphic Designers of Canada. A wide selection of contemporary design carpets. See more ideas about Graphic design, Graphic, Typography. It depends on what I’m doing, what effect I’m trying to get – and I’m always trying new things. You seem to have the luxury of choice, which is always nice. In this case Marian Bantjes was the author of her own pieces. Her work, a mixture of tradition, style and technology, is highly unusual and personal, […] I’m nervous about those who send me selected images from my website for direction, and I outright reject anyone who sends me images of someone else’s work. It gained recognition, thanks to Rick Valicenti, from being included in a sample-portfolio of Bantjes work using ‘Fox River Paper’, now known as ‘Neenah Paper’. Using sugar, this work was created for Stefan Sagmeister’s Things I Have Learned In My Life So Far. Our database of African and international creatives and companies making waves in the design world. Marian is known for her detailed, precise vector art, her obsessive handwork, her patterning, and ornament. When I first came across Marian Bantjes’ work in term 1, I quickly decided her name was one I definitely should remember — and I did. He was so impressed with her sugar piece she did for the Fox River Paper booklet that asked to use sugar to create his phrase “ If I want to explore a new direction professionally, it is helpful to try it out for myself first “. One of her pieces was how she took sugar and made a typographic visual image with the sugar and became the author of that piece. Delicately tearing petals and leaves to make a floral mosaic that spelled out the word “sorrow,” she was the picture of the concentrating artist. Sometimes I just accept everything, but then I start running into trouble: maybe the clients are asking for something I don’t want to give, or maybe we’re not communicating well, or maybe I’ve taken on too much and I get tired... and then I switch and reject everything. Sep 11, 2015 - Explore Katia Ojea's board "Marian Bantjes" on Pinterest. 11-mrt-2013 - Deze pin is ontdekt door Sdvig. Michael Bierut runs us through some of his major projects and the thought processes behind them: a rare opportunity to get into his award-winning mind. I … But within that there is often a complexity that goes beyond the immediate image. Endlessly inventive graphic artist Marian Bantjes has spelled out words in everything from wilted peony petals to sugar. Author means the creator or originator of something. The idea just came as she was playing around with sugar. Matt Havercroft tracked her down to her remote island studio to explore her body of work. Her second act has been an inspiration for thousands of people, but if Pretty Pictures is a full stop – and if she is sick of telling her “transformative story” – then it may be time for Act Three. She then noticed it made a pattern. Pentagram partner Michael Bierut is the winner of hundreds of design awards and has work in permanent collections including MOMA and the Met in New York City. Feathers wallpaper for Maharam by Marian Bantjes. Marian Bantjes: I can remember scribbling on walls … probably when I was two or three. But I am aware of the influence of structure on my work. Wednesday class touched upon all these themes with a TED talk by Marian Bantjes and a special guest, Maryam Zafar. I know when people have the money and I get very pissed off when ad agencies or well-known brands approach me with small budgets! Salazar Student Awards poster, 2007. Marian Bantjes is an internationally recognized designer, illustrator, writer and typographer. She uses anything she can get her hands on and turns it into a masterpiece. 4/7. This is a selection of my recent and best work from the past. 5/7. Graphex’06 logo, poster and catalogue, 2005. What has been your most satisfying project to date? He needed it both for 6 or 8 pages in Copy Magazine, and for his new (Feb. 2008) book Things I have learned in my life so far. That is, as opposed to a “conceptual” designer, or someone who relies on process or the user experience as an interactive thing. Marian Bantjes has an affinity with the fantastical, which makes its presence felt throughout the exhibition, in its graphical design elements, which she created, and in the German title she chose to give it. Ontdek (en bewaar!) Your influences seem to be predominantly those people, objects, buildings and artists that have surface as an independent value. As soon as you look at her work, its not hard to see why she’s so memorable — her extreme obsession with detail and ornamental precision is something that’s absolutely beyond my understanding. These billboards with reflective silver also formed part of Stefan Sagmeister’s Things I Have Learned In My Life So Far. I can’t say. She dropped out of art school after a year and in 1983 ‘fell in’ to a job with book publisher Hartley & Marks, where she did general jobs and helped with paste-up at its typesetting sibling, TypeWorks. And … On the opposite end, I am increasingly wary of people who say they like my “style” (which one would that be, I wonder). I am an image maker. Marian Bantjes is one of the famous graphic designers around the world. During class, we watched a TED talk by Marian Bantjes. ... An example of this is her sugar project for Stefan … je eigen pins op Pinterest. Recognition 2006 AIGA Medal Born 1951, Pittsburgh, Pennsylvania Recognized for the passion and intelligence of his influential work, inspiration to his colleagues and mentorship to a generation of students. Sustainability, 2007. Mostly I hate to be bored, and repeating myself is usually boring, which is why I really need people who are willing to take a leap of faith with me. Marian Bantjes: Possibly too many to accurately list: when you know something really well, it’s hard to define or quantify what you know. Whimsical, feisty and just plain beautiful, Marian Bantjes’s work has escaped the confines and conventions of style and genre, unfurling like a long, gorgeous ribbon, among many strands of visual communication. So, in that sense I’m all about the image/the surface. Most often praised for her delicate handwork and ornamental style, her work is personal, fluid, looping and intense. With her unique approach to typography and illustration, Canadian maverick Marian Bantjes has captured the attention of the design world. It comes and goes. Working in vector art, glitter, fur, ink, oil, dirt, sugar, pencil, watercolour and more, Bantjes is following her bliss – carefully, obsessively and exquisitely. Working in vector art, glitter, fur, ink, oil, dirt, sugar, pencil, watercolour and more, Bantjes is following her bliss – carefully, obsessively  and exquisitely. In 2007, Stefan Sagmeister asked me to contribute once again to his series “Things I have learned in my life so far.” He had seen the piece I made from sugar (“Indestructible”), and asked me to use sugar once again to create his phrase “If I want to explore a new direction professionally, it is helpful to try it out for myself first.” Which was appropriate for me, as that is what I had done with “Indestructible.”. Marian Bantjes. Photo courtesy of OCAD University. Good projects come from people whom I know and trust (such as Michael Bierut at Pentagram or Stefan Sagmeister), or which are fairly open in the brief. If I Want to Explore a New Direction Professionally, it is Helpful to Try it Out for Myself First, 2007. Just last week a student came to me and said, "I was thinking about Marian's sugar piece, and it occurred to me, I didn't have to make this with paper." Marian Bantjes: Possibly too many to accurately list: when you know something really well, it’s hard to define or quantify what you know. Designers such as Marian Bantjes, Jessica Hische, Sean Wes and Martina Flor, just to name a few, have become not only an inspiration to the rest of us, but also a standard. Other designers have followed suit, and now it would seem that lettering and calligraphy are everywhere. Marian Bantjes is a designer, typographer, writer, and illustrator. On what basis do you choose your projects? Marian Bantjes. The main factor for her success in the graphic design field is to have a strong expression of personal style. Sagmeister Sugar In 2007, Stefan Sagmeister asked me to contribute once again to his series “Things I have learned in my life so far.” He had seen the piece I made from sugar (“Indestructible”), and asked me to use sugar once again to create his phrase “If I want to explore a new direction professionally, it is helpful to try it out for myself first.” She is a Canadian designer, artist, illustrator, typographer, and writer. ... sugar, tinfoil, fur, tape, needlepoint embroidery, nuts and bolts, coins, and flowers to create complex and dynamic typographic … I've been eating cereal for breakfast all of my life. I'm going to begin by reciting a poem. 27.10.2014 - Marian Bantjes repeated this phrase six times in sugar as part of Stefan Sagmeister’s series “Things I have learned in my life so far.” Design Indaba®, Cape Town Design Week® and South African Design Week® are registered trademarks of Interactive Africa. She uses a wide variety of media in her work (even creating letters out of sugar). My latest project is the National Book Festival poster for the Library of Congress in Washington, USA.. It’s a surprisingly big deal. I made the phrase five times, photographed it, and then destroyed it and photographed the destroyed version. From sugar, to Christmas cards, she uses anything to visually tell a story. ... "I was thinking about Marian's sugar piece. Marian Bantjes 711,459 views • 16:28. And of course the Creative Review monograph, Love Stories, was very satisfying because it was all personal work. You might call Marian Bantjes a graphic designer; or an illustrator, typographer, painter, or writer. Apr 22, 2014 - Another of my favourite designers/illustrators. They were all designed to cross a page spread. May 9, 2015 - In 2007, Stefan Sagmeister asked me to contribute once again to his series “Things I have learned in my life so far.” He had seen the piece I made from sugar (“Indestructible”), and asked me to use sugar once again to create his phrase “If I want to explore a … Also, she uses pasta to craft into baroque borders and places real plants for decorations. It said: “Indestructible”, done in a manner of creating a mandala, only in sugar, white sugar on white background. Graphic designer and typographer Stefan Sagmeister is the founder of design firm Sagmeister & Walsh Inc. in New York City. Labels one wants to stick to her tend to slip off. And this project began essentially on my kitchen table. See more ideas about typography, illustrators, typography design. So where do you start? ... His thoughts on Canadian lives remain unknown, but Marian Bantjes seems to disprove his theory. Fiona Zerbst: What techniques and formal values have you learnt from typography? And Marian Bantjes proves it – ever made a typographical design using sugar? I’ve come to recognise the signs of the good and the bad. Marian Bantjes: Possibly too many to accurately list: when you know something really well, it’s hard to define or quantify what you know. Working from a small island near Vancouver, Canada, she has developed a very personal graphical style combining natural materials such as flowers, pasta and sugar with the most advanced computer techniques. ... For example, she put sugar on the white surface and draws words with her free hand, which is inspired by Stefan Sagmeister’s works. Fiona Zerbst: What techniques and formal values have you learnt from typography? I can only dream of ever being as patient as she is when it … It doesn’t mean I’ll never do it again, it just means I’ll only do it if I decide I can find an interesting way of doing it. I have heard about her in a mild, faint way at first – I’ve seen, I don’t remember where, her drawn type made of sugar. Bantjes’s intricate text graphic created using sugar. This ornamental font was created in collaboration with Ross Mills. Sign up to Design Indaba News for updates on Design Indaba events and projects. I look for people who are hiring me for something new and unexpected. Sweet. Graphic designer Marian Bantjes has collaborated with numerous design legends, including Debbie Millman from Sterling Brands, Michael Bierut and Paula Scher from Pentagram/NY, Sean Adams from AdamsMorioka, and Stefan Sagmeister—all of whom are featured in this film. But design is not the only creative industry responding to these changes – there is a parallel in the new folk scene. She used simple childlike objects and activities and became the author of a grand piece. Trailer: Michael Bierut on how to think like a designer, Future Sketches an interactive installation by Zach Lieberman, The children and education design of the future, Yinka Ilori explores how seating systems shape human interactions. That’s when she had a small design moment and decided to make her own stud/ Marian Bantjes shows that you can add individuality to design and making it look beautiful./ ... Marian Bantjes’s responses to those initials questions may sound romantic to some but I believe in that my work may inspire someone. Some read down the left first, then back up top and down the right; others read across the spread. These people will give me little to no direction. Marian Bantjes, designer, artist, letterer, writer, illustrator. ... To this end, I have worked in sugar for Stefan Sagmeister, three-time TED speaker.
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